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Sonic geographies: Exploring phonographic methods
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DOI：10.1177/0309132513481014.png)
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Abstract
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Research into the geographies of sound and music has developed over the last 20 years, yet such work largely remains reliant on conventional verbal-textual methods of data collection and dissemination. In this paper, we conduct a review of current approaches to sonic research, demonstrating that the erasure of audio media within geography silences a rich seam of empirical data. As a result, we propose that phonographic methods - including listening, audio recording and playback - need to be developed further. We consider a range of epistemological implications of phonographic methods, and possible future directions for their development in human geography.
Keywords:
experimental geography
methodology
phonography
sonic epistemology
sonic geography
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