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Shakespeare

IF0.2
论文数63
被引数
期刊论文 63
发表时间
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Tragedizing the Mediation: Referentiality of the Medium and Disintegration of the Tragic Hero in the Turkish Miniseries Hamlet (2021)将媒介的中介性悲剧化：土耳其迷你剧《哈姆雷特》（2021）中媒介的指涉性与悲剧英雄的解体
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delete2026-05-01
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deleteAtasoy, Merve
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A Post-Maidan Hamlet: Testimonial Performance, Queer Temporality and the Limits of Recognition后“maidan”时代的哈姆雷特：证言表演、酷儿时间性与承认的限度
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deleteFayard, Nicole; Rasmus, Agnieszka
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Identity Crisis: Shakespeare as Cultural Heritage身份危机：莎士比亚作为文化遗产
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delete2026-04-03
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deleteHopkins, Helen A.
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'To be or not to be', Hamlet as Student and the Montaigne Connection《生存还是毁灭》，哈姆雷特作为学生与蒙田的联系
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delete2026-04-01
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deleteDillane, Richard
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'The Unbearable Whiteness of Milk' and More-than-human Nurture in Titus Andronicus《牛奶的不可承受之白》与《泰特斯·安德罗尼克斯》中的非人类养育
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deleteBurzynska, Katarzyna
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Introduction: Shakespeare in Crisis引言：莎士比亚在危机中
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deleteFayard, Nicole
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The Winter's Tale《冬天的故事》
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delete2026-03-01
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deleteShi, Yinhuizi; Liu, Lihui
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'Though she be but little, she is fierce': Popular Feminism and A Midsummer Night's Dream“她虽小，却很勇猛”：流行女性主义与《仲夏夜之梦》
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deleteAlbiston, Rose
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Adaptation and Historical Resonance: Brigid Larmour and Tracy-Ann Oberman's The Merchant of Venice 1936 (2023) and Michael Radford's The Merchant of Venice (2004)适应与历史回响：布里吉德·拉莫尔和特蕾西-安·奥伯曼的《威尼斯商人1936》（2023）与迈克尔·拉德福德的《威尼斯商人》（2004）
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deleteSmith, Peter J.
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The Spectral and Grotesque Mechanisms of Power in Ümit Kıvanç's Macbeth: Muhitimize Uyarlama Denemesi [Macbeth: An Adaptation Attempt to Our Political Landscape]Ümit Kıvanç的《麦克白：我们的环境改编尝试》中权力的光谱与怪诞机制
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deleteGolban, Tatiana
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Review of Shakespeare's Twelfth Night (Directed by Michael Oakley) at Arts Theatre Cambridge, 24 January 2026在剑桥艺术剧院观看由迈克尔·奥克利执导的《第十二夜》的评论，2026年1月24日
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Richard Burbage and the Shakespearean Stage: A 'Delightful Proteus'理查德·伯比奇与莎士比亚舞台：一位“令人愉悦的普罗透斯”
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deletePotter, Lois
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The Demetrius Dilemma: The Implications of Induced Love in A Midsummer Night's Dream《德谟斯尼厄斯困境：〈仲夏夜之梦〉中诱发性爱情的启示》
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deleteBellman, Mary
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Old Men Remembering in Shakespeare's Second Tetralogy莎士比亚第二四部曲中的老年回忆
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deleteLyne, Raphael
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The Theatrical Legacy of Thomas Middleton, 1624-2024托马斯·米德尔顿的戏剧遗产：1624-2024
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deleteNicol, David
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Oladipo Agboluaje's Crown of Blood奥拉迪波·阿格博卢贾的《血冠》
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deleteHopkins, Lisa
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Shakespeare's New Mediators: Theatre Space and the Celebrity Actor in Broadcast Paratexts莎士比亚的新中介：广播伴随文本中的剧场空间与明星演员
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deleteSharrock, Beth
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Post-World War II Romeo and Juliets in Finland and Sweden, 1946-1947二战后芬兰和瑞典的“罗密欧与朱丽叶”，1946-1947
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deleteKeinanen, Nely; Sivefors, Per
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Review of Shakespeare's Hamlet (Adapted and Directed by Ara Yernjakyan for the Yerevan Chamber Theatre) at the Fifth International Shakespeare Conference of the Armenian Shakespeare Association, 2024亚美尼亚莎士比亚协会第五届国际莎士比亚会议上对亚美尼亚埃里温室内剧院改编并执导的莎士比亚《哈姆雷特》的评论，2024
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deleteAslibekyan, Anush
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Voices of the Past: Queer Influence and Poetic Salvage in Shakespeare's Pericles, Prince of Tyre and Thomas Middleton's Hengist, King of Kent《过去的声音：莎士比亚〈泰尔亲王佩里克勒斯〉与托马斯·米德尔顿〈肯特的亨吉斯特国王〉中的同性恋影响与诗歌拯救》
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deleteNowicki, Shaun
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