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Journal of Chinese Cinemas

IF0.4
论文数23
被引数
期刊论文 23
发表时间
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When in Rome: Pai Ching-jui at the Centro Sperimentale di Cinematografia当在罗马：蔡清瑞在电影实验中心
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IF0.4
delete2026-05-01
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deleteCavelier Riccardi, Matteo
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Appropriating CinemaScope's Screens: The Love of Susan (Xin Yutangchun, 1954) and Hong Kong Widescreen Cinema's 'Ersatz' Beginnings in the 1950s挪用 CinemaScope 屏幕：《宋园春晓》（辛实棠春，1954）与1950年代香港宽银幕电影的“替代性”开端
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deleteYan, Yumo
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Of Mandarin(s), (m)other tongues, and dubbing: Sonolingual composition in Taiwan cinema beyond A City of Sadness关于国语、母语与配音：超越《悲情城市》的台湾电影中的同语创作
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IF0.4
delete2026-04-01
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deleteWhite, Cameron L.
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Spies next door: Cinema as counter-espionage campaigns in socialist China (1949-1965)邻国间谍：电影作为社会主义中国（1949-1965）的反间谍运动
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deleteHuang, Fangyuan
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The sea beyond the stage: Location shooting in the model opera film Boulder Bay舞台之外的海洋：模型歌剧电影《 Boulder Bay》中的实地拍摄
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deleteMei, Jiahe
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Rethinking Spring in a Small Town through the temporality of neurasthenia通过神经衰弱的时间性重新思考小城春天
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IF0.4
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deleteLi, Hui
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New Sinophone documentaries: Trajectories and intertwinements华语纪录片的新发展：轨迹与交织
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deleteSang, Tze-lan; Hsieh, Hsin-Chin Evelyn
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Inventing Taiwan 007: Female spy subjectivity in 1960s cinema发明台湾007：1960年代电影中的女性间谍主体性
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deleteYenHsuan, Huang
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The articulation of the people: Reading Hong Kong documentaries with care香港纪录片的细致解读：民众的表达
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deleteMa, Ron
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Disembodied voice: Qiu Yuefeng and aural stardom in reform-era China离体声音：邱月凤与改革时代中国的听觉明星地位
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deleteLu, Xiaoning
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An introduction to caring Chinese cinemas对中国电影关照的介绍
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deleteHu, Pengnan; de Kloet, Jeroen; Pisters, Patricia
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Care of whom? How '(sic)' (Gui, ghost) returned in cHinese online folklore ghost films as care由谁照顾？如何“(原文如此)”（Gui，鬼）在中国网络民俗鬼片中以关怀的形式回归
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deleteHu, Pengnan
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Sketching the contours of a cinema of care: Hong Kong's Ann Hui as a paradigmatic figure勾勒“关怀”电影的轮廓：香港的许鞍华作为范例人物
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deleteHjort, Mette
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Bodies of water: Hydrofeminism in contemporary Chinese cinema水体：当代中国电影中的水女性主义
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deletePisters, Patricia
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Postsocialist vernacular modernism, nationalism, and the shaolin trilogy (1982-1986)后社会主义民间现代主义、民族主义与《少林三部曲》（1982-1986）
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deleteMiao, Zixin
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Main melody films as national cinema: Re-envisioning national identity through the 'National Day Celebration' trilogy (2019-2021)主旋律电影作为国家电影：通过“国庆献礼”三部曲（2019-2021）重塑国家认同
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deleteLiang, Junjian; Gao, Mei
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It almost feels like home: The cinematic articulation of community resilience in post-2019 Hong Kong melodrama《感觉几乎像家一样：后2019香港言情片中社区韧性的电影表达》
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deleteLi, Mei Ting
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Hong Kong independent documentary: Before and after 2000
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deleteWei, S. Louisa
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The China-UK Film Co-Production Treaty: Goals and gaps in a geopolitical context中英电影合拍条约: 地缘政治背景下的目标与差距
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deleteShangguan, Sally Qiyue
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Hong Kong crime cinema's allegorical arsenal and its local function: A post-2019 case study of Hand Rolled Cigarette香港犯罪电影的寓言性武器库及其地方功能：2019年后《手卷烟》案例研究
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deleteVan Den Troost, Kristof
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