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C

CEA Critic

IF0.1
论文数23
被引数
期刊论文 23
发表时间
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Learning to Lie: Victorian Incrementalism, Self-Deception, and Ekphrasis in Zadie Smith's The Fraud学习说谎：萨迪·史密斯《欺诈》中的维多利亚式渐进主义、自我欺骗与 ekphrasis
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delete2026-03-01
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PREAI
deleteCass, Jeffrey
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Looking Backwards: Science Fiction That Reads Like Fact回顾过去：读起来像事实的科幻小说
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delete2026-03-01
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PREAI
deleteKraver, Jeraldine R.
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Community Writing in John Kani's Missing: Unraveling the Ties between Identity, Diaspora, and Traditional/Transnational Paradigms约翰·卡尼《失踪》中的社区写作：解构身份、流散与传统/跨国范式之间的联系
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delete2026-03-01
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PREAI
deleteHuang, Jian; Chen, Yating
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Novels as Empathy Machines in the Age of AI: Richard Powers's Bewilderment在人工智能时代，小说作为共情机器：理查德·鲍尔斯的《迷失》
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delete2026-03-01
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PREAI
deleteHediger, Ryan
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Who Is An SF Writer? Special Chap Book Edition of The CEA Critic, Nov. 1974 (vol. 37, no. 1, pp. 46-50)科幻作家的身份？《CEA评论》特别小册子版，1974年11月（第37卷，第1期，第46-50页）
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delete2026-03-01
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PREAI
deleteDick, Philip K.
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Repurposing the Epigraph: Transforming a 19th-Century Literary Tradition for a 21st-Century Young Adult Readership重新利用箴言：将19世纪的文学传统转化为面向21世纪青少年读者的形式
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delete2026-03-01
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PREAI
deleteFox, Heather
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Images and Words: The River and Flannery O'Connor's Writing Strategy图像与文字：河流与弗兰纳里·奥康纳的写作策略
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delete2026-03-01
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PREAI
deleteAn, Mengyuan
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Little Essays, Big Ideas: Interpretative Freedom and the US Constitution
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delete2025-11-01
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PREAI
deleteGirman, Chris
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The Freedom to Forget: Memory, Trauma, and New Materialist Approaches to Healing
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PREAI
deleteGordon, Hannah
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Editor's Introduction Philadelphia 2025: A College English Association Joint
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deleteKraver, Jeraldine
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Infidelity and Hyperfidelity, Together at Last: Adaptive Synthesis in Colm Toibin's House of Names
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delete2025-11-01
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deleteSmith, Craig
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From the Outside Looking In: The Desire for Home in Ann Petry's The Street
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PREAI
deleteCollins, Thomas
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Conspiracy, Theory, and Freedom: The Quest for Truth in Ishmael Reed's Mumbo Jumbo
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deleteBrown, Jordan W.
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To bend and align reality: Breaking Free of Narrative Control in Hernan Diaz's Trust
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deleteHausmann, Jessica
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Literature After Civilization: Reimagining Freedom with the Dark Mountain Project
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deleteMatteson, Travis W.
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Stop, Collaborate, and Listen: Hip-Hop Ciphers as Models for Collaborative Freedom in Composition
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deleteBush, Aaron
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Redefining the Mother-Woman: Maternal Shame in Kate Chopin's The Awakening
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deleteFarrier, Abigayle Anne
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Reading Monuments as Southern Literature
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deleteArmstrong, Rhonda
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Music as Freedom, Music as Limitation in the Sirens Episode of James Joyce's Ulysses
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deleteGrace, Emily
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Freedom from the Source Text: Teaching Trilby and Its Adaptation Network
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deleteHarrison, Bill
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