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Organised Sound

IF0.5
论文数61
被引数358
期刊论文 61
发表时间
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Art of Sound-Creativity in Film Sound and Electroacoustic Music电影声音与电子音乐中的声音-创造力艺术
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IF0.5
delete2026-05-01
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PREAI
deleteHarris, Louise
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Engaging with everyday sounds与日常声音互动
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delete2026-05-01
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PREAI
deleteDobereiner, Luc
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Towards a Sonic Scenography of Robotic Performance: A Theoretical Framework机器人表演的声景设计：一个理论框架
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delete2026-05-01
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PREAI
deleteHossain, Mohammed Rafiq
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Vibrant algorithms: Sonic collaborations with the living environment活力算法：与生态环境的声学协作
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delete2026-05-01
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deleteProtsack, Nicholas Denton
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Spectralism reimagined: AI, orchestration and improvisation音程主义再想象：人工智能、配器和即兴创作
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IF0.5
delete2026-05-01
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PREAI
deleteWanke, Otto
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Exploring the ecologies of music and sound: Environmental, mental and social ecologies in music, sound art and artivisms探索音乐与声音的生态：音乐、声音艺术和艺术行动主义中的环境、心理和社会生态
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IF0.5
delete2026-05-01
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PREAI
deleteExarchos, Dimitris
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Queernotation: A proposal for experimental compositionQueernotation: 一种实验性作曲的提议
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IF0.5
delete2026-04-01
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PREAI
deleteRobertson, Jaslyn
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'Hello world': Tracing the early development of computer music in Brazil (1962-1980)'Hello world'：追溯巴西早期计算机音乐的发展（1962-1980）
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IF0.5
delete2026-04-01
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PREAI
deleteDamiao, Andre
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Machine Learning in Electromechanical Sound Art机电声音艺术中的机器学习
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IF0.5
delete2026-04-01
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PREAI
deleteO'Hare, Fintan
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Modular observers: OpenSoundLab and PatchWorld as case studies for emerging practices of modular synthesis in extended realities模块化观察器：OpenSoundLab和PatchWorld作为扩展现实中模块化合成新兴实践的案例研究
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delete2026-04-01
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PREAI
deleteZeller, Ludwig; Leisi, Chris Elvis
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When AI don't sound like AI: Negotiating aesthetic expectations in technology-mediated musical practice当AI不再听起来像AI：在技术中介的音乐实践中协商美学期望
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IF0.5
delete2026-04-01
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deletePelinski, Teresa; Melbye, Adam Pultz; McPherson, Andrew
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Ruining the algorithm: Sound, technology, and collaborative networks in Latin American sonic experimentalism破坏算法：声音、技术与拉美声音实验主义中的协作网络
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delete2026-04-01
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PREAI
deleteGarcia Castilla, Jorge David
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Praat Audiotools: An offline analysis-resynthesis toolkit for experimental compositionPraat Audiotools：一个用于实验性作曲的离线分析-重合成工具包
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delete2026-04-01
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PREAI
deleteCohen, Shai
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The virtual synthesiser as a prescriptive element in musical creation: A digital-organological study of instrumental configurations, control and form虚拟合成器作为音乐创作中的规范性元素：一项关于乐器配置、控制和形式的数字乐器学研究
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delete2026-04-01
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PREAI
deleteTorrico, Raul
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The harmonicity of brain dynamics: A neurophenomenological approach to creative biofeedback脑动力学和谐性：一种神经现象学方法用于创造性生物反馈
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IF0.5
delete2026-03-01
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PREAI
deleteBellemare-Pepin, Antoine; Lespinasse, Francois; Tsabary, Eldad
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The open work and AI: Co-creation and haunting in text scores and inherent scores开放作品与人工智能：文本记谱法和固有记谱法中的共创与萦绕
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delete2026-03-01
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PREAI
deletePrivato, Nicola; Magnusson, Thor
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Notation strategies for effect pedals in the compositional process of Étude n°1Étude n°1作曲过程中效果踏板的记谱策略
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delete2026-03-01
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PREAI
deleteCaulet, David; Bernier, Nicolas
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Ai-Maako: The Super Electroacoustic Festival with a Strange NameAi-Maako：一场名字奇特的超级电声音乐节
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delete2026-03-01
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PREAI
deleteSchumacher, Federico
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Electroacoustic music in Latin America: Two examples of sound-based research conducted at Studio PANaroma拉丁美洲的电声音乐：在Studio PANaroma进行的声音基础研究的两个示例
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delete2026-03-01
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PREAI
deleteBuck, Alex K.; Arima, Gustavo
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The LADIM's story or something over One Thousand and One Nights of an electroacoustic music laboratory in Venezuela in the 21st century. The electroacoustic music at Universidad Simón Bolívar拉迪姆的故事或21世纪委内瑞拉电子音乐实验室的一千零一夜。西蒙·玻利瓦尔大学的电子音乐
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PREAI
deleteGomez Quintero, Luis Ernesto; Morales, Diego
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