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Nicola Di Stefano

consiglio nazionale delle ricerche (cnr)

15H-index
91Paper Count
906Citation Count
Published Papers 25
Publication Date
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What role does temporal synchrony play in mid-level audiovisual crossmodal correspondences?
errPSYCHONOMIC BULLETIN & REVIEW
IF3
err2026-03-17
err0
errOAAI
errCharles Spence; Nicola Di Stefano
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errSave
Robot-mediated haptic feedback outperforms vision in violin duo coordination
errScience Robotics
IF27.5
err2026-03-11
err0
PREAI
errAleksandra Michałko; Francesco Di Tommaso; Emanuele Peperoni; Stefano L. Capitani; Alessia Noccaro; Andrea Parri; Canan Gener; Roberto Conti; Nicola Di Stefano; Nevio Luigi Tagliamonte; Lorenzo Grazi; Francesco Giovacchini; Simona Crea; Emilio Trigili; Nicola Vitiello; Marc Leman; Domenico Formica
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Haptic feedback in violin education as a case study of robotic exoskeleton-mediated motor learning
errScientific Reports
IF3.9
err2026-03-04
err0
errOAAI
errAdriaan Campo; Emanuele Peperoni; Stefano Laszlo Capitani; Roberto Conti; Simona Crea; Nicola Di Stefano; Francesco Di Tommaso; Francesco Giovacchini; Canan Gener; Lorenzo Grazi; Luca Morelli; Alessia Noccaro; Andrea Parri; Nevio Luigi Tagliamonte; Emilio Trigili; Nicola Vitiello; Shalan Alhamwy; Domenico Formica; Marc Leman
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errSave
Mid-Level Audiovisual Crossmodal Correspondences: A Narrative Review
errMultisensory Research
IF1.5
err2026-02-01
err1
PREAI
errSpence, Charles; Di Stefano, Nicola
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errSave
Auditory-conceptual associations in Peter and the Wolf and Carnival of the Animals: Evidence from 6- to 9-year-old children
errPsychonomic Bulletin & Review
IF3
err2026-01-05
err0
errOAAI
errNicola Di Stefano; Alessandro Ansani; Valentina Focaroli; Rebecca Borsella; Giuditta Formenti; Andrea Velardi; Andrea Schiavio; Charles Spence
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Mood Music: Studying the Impact of Background Music on Film
errMultisensory Research
IF1.5
err2026-01-01
err3
PREAI
errSpence, Charles; Di Stefano, Nicola
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errSave
Affordance-based accounts of the ethics of artefacts and their application to neuroenhancement technologies
errAI & SOCIETY
IF4.7
err2025-08-10
err0
errOAAI
errNicola Di Stefano; Luca Valera
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Assessment of the role of emotions in audiovisual associations through an enactive approach
errPLOS ONE
IF2.6
err2025-05-23
err0
errOAAI
errCenerini, Costanza; Vollero, Luca; Di Stefano, Nicola; Santonico, Marco; Pennazza, Giorgio; Keller, Flavio
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Testing hypotheses on the major/minor dichotomy: movement, consonance/dissonance, and (the lack of) cross-species evidence. Comment on The Major-Minor Mode Dichotomy in Music Perception by Giulio Carraturo, Victor Pando-Naude, Marco Costa, Peter Vuust, Leonardo Bonetti, Elvira Brattico
errPHYSICS OF LIFE REVIEWS
IF14.3
err2025-05-14
err0
PREAI
errNicola Di Stefano; Andrea Ravignani
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Expressivity attributed to music affects the smoothness of bowing movements in violinists (vol 14, 22267, 2024)
errSCIENTIFIC REPORTS
IF3.9
err2024-11-06
err0
errOAAI
errDi Stefano, Nicola; Lo Presti, Daniela; Raiano, Luigi; Massaroni, Carlo; Romano, Chiara; Schena, Emiliano; Leman, Marc; Formica, Domenico
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Expressivity attributed to music affects the smoothness of bowing movements in violinists
errSCIENTIFIC REPORTS
IF3.9
err2024-09-27
err2
errOAAI
errDi Stefano, Nicola; Lo Presti, Daniela; Raiano, Luigi; Massaroni, Carlo; Romano, Chiara; Schena, Emiliano; Leman, Marc; Formica, Domenico
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Using Wearable Sensors to Study Musical Experience: A Systematic Review
errSENSORS
IF3.5
err2024-09-05
err2
errOAAI
errVolta, Erica; Di Stefano, Nicola
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errSave
Real-Time Visual Feedback Based on MIMUs Technology Reduces Bowing Errors in Beginner Violin Students
errSENSORS
IF3.5
err2024-06-19
err3
errOAAI
errProvenzale, Cecilia; Di Tommaso, Francesco; Di Stefano, Nicola; Formica, Domenico; Taffoni, Fabrizio
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A system sciences approach to consonance/dissonance: From biological constraints to cultural differences Reply to comments on: Consonance and dissonance perception. A critical review of the historical sources, multidisciplinary findings, and main hypotheses
errPHYSICS OF LIFE REVIEWS
IF14.3
err2024-03-01
err1
PREAI
errDi Stefano, Nicola; Vuust, Peter; Brattico, Elvira
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errSave
Interpersonal synchrony implies simultaneity, musical improvisation requires rules. Comment on Musical engagement as a duet of tight synchrony and loose interpretability by Tal-Chen Rabinowitch
errPHYSICS OF LIFE REVIEWS
IF14.3
err2024-03-01
err1
PREAI
errDi Stefano, Nicola; Leman, Marc
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errSave
What, if anything, can be considered an amodal sensory dimension?
errPSYCHONOMIC BULLETIN & REVIEW
IF3
err2024-02-21
err11
errOAAI
errSpence, Charles; Di Stefano, Nicola
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errSave
Prokofiev was (almost) right: A cross-cultural investigation of auditory-conceptual associations in Peter and the Wolf
errPSYCHONOMIC BULLETIN & REVIEW
IF3
err2024-01-24
err10
errOAAI
errDi Stefano, Nicola; Ansani, Alessandro; Schiavio, Andrea; Spence, Charles
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errSave
Sensory translation between audition and vision
errPSYCHONOMIC BULLETIN & REVIEW
IF3
err2023-10-06
err13
errOAAI
errSpence, Charles; Di Stefano, Nicola
errShare
errSave
Consonance and dissonance perception. A critical review of the historical sources, multidisciplinary findings, and main hypotheses
errPHYSICS OF LIFE REVIEWS
IF14.3
err2022-12-01
err30
PREAI
errDi Stefano, Nicola; Vuust, Peter; Brattico, Elvira
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Artificial Emotions: Toward a Human-Centric Ethics
errINTERNATIONAL JOURNAL OF SOCIAL ROBOTICS
IF3.7
err2022-06-11
err2
PREAI
errCorti, Laura; Di Stefano, Nicola; Bertolaso, Marta
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Research Directions

No research directions
Co-authors
Cooperation Journals
C
Charles Spence
H-index: 136 · Papers: 1.4K
E
Etienne Burdet
H-index: 63 · Papers: 477
E
Emiliano Schena
H-index: 59 · Papers: 529
P
Peter Vuust
H-index: 58 · Papers: 450
E
Elvira Brattico
H-index: 58 · Papers: 338
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